When I think of the Hong Kong I grew up in (till the age of 13), I think of a place with an easy balance between "local" and "cosmopolitan."
To be rigorous about that statement: handcrafted store-specific wonton noodles existed in harmony with the best imported premium lobster and steak. In other words, Hong Kong was a place where maybe even side-by-side in retail terms, you could find the best of "local," and the best of "cosmopolitan." And they were BFF’s, local and cosmopolitan.
There was no inherent conflict between the two. The emblem of Hong Kong was its very salty, distinctive Cantonese dialect, but also the wholesale permission for expats to use English freely. Hong Kong wasn’t like Tokyo where expats had to learn Japanese. It was the a balance of local and cosmopolitan.
Fast forward twenty years and for a number of reasons there are new fissures between local and cosmopolitan.
Indeed, Hong Kong is gradually polarizing in terms of local-vs-cosmopolitan.
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Argyle Street, the site of the Occupy Mongkok, was cleared today. This is how it began.
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Paul Krugman's Plutocrats Against Democracy column yesterday is a great read. I don't agree with Krugman all that often, but this piece is clear, well-reasoned, backed up with solid data even if he can't help himself from taking some partisan swipes while he's at it. Also, he uses Hong Kong as an example for a macro-generalization about what is happening in the world, so if you're glued to the #umhk definitely check it out.
What get's me thinking is Krugman's spectre of polarity. He frames it as Plutocrat vs. Democrat, and everyone has her or his preferred words- I call it Local vs. Cosmopolitan.
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Cirque du Soleil, the self-described “dramatic mix of circus acts and street entertainment” is spectacular. In addition to the spectacle of the performance, Cirque du Soleil is remarkable from a business standpoint too. They have basically turned the circus business, which was ailing for decades, on its head. And, in redesigning the circus experience they created a lucrative new segment[i]. For the purposes of this blog entry, the features of Cirque du Soleil's business model also provide an interesting lens to view issues underlying the Umbrella Movement in Hong Kong.
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Reporting on the ground in Hong Kong, various media have written about protesters singing the “Do you Hear the People Sing” tune from Les Misérables (see here, here, and here). I’m sure that is the case that it was sung, and sung in various places in and around town at the protests sites around the city (including the latest one to sprout up, in Tsim Tsa Tsui) in the #occupycentral civil disobedience movement.
But I’m not sure that song is the anthem of the protest. There’s another tune that is a much likelier contender.
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